{"id":1371,"date":"2013-01-18T21:28:02","date_gmt":"2013-01-19T05:28:02","guid":{"rendered":"http:\/\/www.johnlautner.org\/wp\/?p=1371"},"modified":"2013-01-18T21:28:59","modified_gmt":"2013-01-19T05:28:59","slug":"again-lautner-homes-in-film-gain-attention","status":"publish","type":"post","link":"http:\/\/www.johnlautner.org\/wp\/?p=1371","title":{"rendered":"Again, Lautner Homes in Film Gain Attention"},"content":{"rendered":"<p><a href=\"http:\/\/la.curbed.com\/archives\/2013\/01\/why_do_movie_villains_live_in_houses_designed_by_john_lautner.php\" target=\"_blank\">Curbed LA <\/a>reports on an essay in Virginia Quarterly Review on the use of Lautner homes in film, and specifically as the homes of villains. The idea has struck others in the past, most notably Jon Yoder, who wrote<\/p>\n<p>A View to Kill For?<br \/>\nModern Painters (July\/August 2008)<br \/>\nLengthy analysis of films featuring Lautner buildings, reference to exhibit, by Jon Yoder.<\/p>\n<p>The following video, by Curbed LA, offers a glimpse of most of the films featuring Lautner buildings.<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/player.vimeo.com\/video\/26702518?title=0\" height=\"300\" width=\"400\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n<p>You can read the whole Virginia Quarterly Review article <a href=\"http:\/\/www.johnlautner.org\/pdf\/VQRVillains.pdf\" target=\"_blank\">here<\/a> (the online version is abbreviated). [<em>Thank you, Hillary Cramer, for providing the pdf version.<\/em>]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Another essay on the use of Lautner homes in film as homes for villains offers personal insights.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[6],"tags":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5N0tR-m7","_links":{"self":[{"href":"http:\/\/www.johnlautner.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/1371"}],"collection":[{"href":"http:\/\/www.johnlautner.org\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.johnlautner.org\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.johnlautner.org\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.johnlautner.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1371"}],"version-history":[{"count":3,"href":"http:\/\/www.johnlautner.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/1371\/revisions"}],"predecessor-version":[{"id":1374,"href":"http:\/\/www.johnlautner.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/1371\/revisions\/1374"}],"wp:attachment":[{"href":"http:\/\/www.johnlautner.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1371"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.johnlautner.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1371"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.johnlautner.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1371"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}